How can artists and researchers come together to create visualisations of injustice and resistance in contemporary food systems with the goal to explore disparities, inequalities, and the social/environmental problems inherent in industrialised food systems?
How can a radical and interdisciplinary team come together to further develop their work on non-visual senses and environment?
Can old, ephemeral items (like postcards) help us to establish a deeper connection with our homes and neighbourhoods?
What cultural possibilities opened up by the arrival of 5G technology? How can technology bring to life the multilingual history of the Bristol city docks?
How can theatre making and practice-as-research shed light upon possibly the first performance of Hamlet as well as the colonial history of the early voyages of the East India Trading company?
How can an awareness of local history improve our understanding of our community?
How can we write narratives of hope in the face of this unfolding disaster? What stories will help prepare us and our children to navigate this crisis?
Can gorillas use computers? Can they, and perhaps other non-human animals, reach a state of ‘Flow’? Could cognitive game-play positively impact their well-being in zoos?
How can we consider walking as a form of exercise and cultural performance that is socially conditioned? Are we able to unite health and creative perspectives on walking? How can the regenerative benefits of walking be accessible to all Bristolians?
How do children conceptualise kinship? How do children from different linguistic and cultural backgrounds develop concepts of family and relatedness?
