Unit name | World Cinemas: from national to transnational |
---|---|
Unit code | MODL23016 |
Credit points | 20 |
Level of study | I/5 |
Teaching block(s) |
Teaching Block 2 (weeks 13 - 24) |
Unit director | Professor. O'Rawe |
Open unit status | Not open |
Pre-requisites |
None |
Co-requisites |
None |
School/department | School of Modern Languages |
Faculty | Faculty of Arts |
Since its inception, film production and spectatorship have been transnational phenomena and the film industry has been characterised by its exchange of labour, technological expertise, and screen products across national boundaries. That said, the study of film has often focussed on the nation as that which is most securely expressed on screen and in relation to structures of production. This unit will introduce students to the history of national/transnational film production, and to contemporary debates about their interrelatedness. Through the detailed study of a range of cross-national films and through focussing on key issues such as stardom, adaptation, finance and production, and national identity, this unit aims to provide students with an understanding of the complexities of film culture in a global context.
Aims:
Successful students will:
Normally one lecture hour and one seminar hour per week across one teaching block (22 contact hours), often with student presentations. In units with a smaller number of students the lecture hour may be replaced by a second seminar or a workshop. Units involving film may require students to view films outside the timetabled contact hours.
Students will be provided electronically with a pack of essential reading material to be supplemented by more focussed reading for assessment tasks. They will be required to view at least one film per week using the resources of the MMC and expected to view a selected range of films over the semester. This reading and viewing will lead into the completion of both assessment tasks.
1 x 1500 word Sequence Analysis (25%) plus 1 x 2500-word essay (75%).
Elizabeth Ezra and Terry Rowden (eds), Transnational Cinema: the film reader (2006).
Mette Hjort and Scott MacKenzie (eds), Cinema and nation (2000).
Stephanie Dennison and Song Hwee Lim (eds),Remapping world cinema :identity, culture and politics in film (2006).
Catherine Grant and Annette Kuhn (eds), Screening world cinema : a Screen reader (2006).