
Professor Justin Williams
BA(Stanford), MMUS(Kings College London), PhD(Nott.)
Expertise
A hip-hop scholar and musicologist, my expertise is in popular music studies, jazz, singer-songwriters and hip-hop culture.
Current positions
Professor of Music
Department of Music
Contact
Press and media
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Biography
JUSTIN A. WILLIAMS is a Professor of Music at the University of Bristol (UK), the author of Rhymin and Stealin: Musical Borrowing in Hip-Hop (2013), and Brithop: The Politics of UK Rap in the New Century (2020). He is also editor of The Cambridge Companion to Hip-Hop (Cambridge, 2015) and co-editor (with Katherine Williams) of The Cambridge Companion to the Singer-Songwriter (2016) and The Singer-Songwriter Handbook (2017). His latest book is a album-based study of The Streets's Original Pirate Material for the Cambridge Elements Series on 21st Century Music Practice (Cambridge University Press, 2024). His next book on Stevie Wonder's Songs in the Key of Life for the Oxford University Press Keynotes series.
In recent years, he has written on topics as diverse as progressive metal, Hamilton: An American Musical, jazz fusion, intertextuality in Tanzanian hip-hop, and crowdfunding music online. As a musician in California, he led a jazz piano trio and played trumpet with the award-winning band Bucho!
Research interests
- Popular music studies (especially hip-hop)
- Musical borrowing
- Film music and other forms of audio-visual intermediality (e.g. YouTube)
- Jazz (history, arranging, analysis and composition)
- The singer-songwriter
- Intersections between progressive rock and jazz 'fusion' in the 1970s
- Digital patronage
- Music and geography
- Mobility and sound studies
- The analysis of record production
Projects and supervisions
Research projects
MSCA PF Travel Fund (research visit from Blaithin Duggan)
Principal Investigator
Description
Pump Priming visit from Dr. Duggan to work on grant applications (award of 1000 GBP)Managing organisational unit
Department of MusicDates
10/06/2024 to 14/06/2024
MSCA PF Travel Fund to support Greogire Bienvenu visit
Principal Investigator
Description
Award of £1315 for Gregoire Bienvenu and work out primary steps for research grant possibilities.Managing organisational unit
Department of MusicDates
15/04/2024 to 19/04/2024
HipHopHumanities: Artist-Academic Collaboration and the UK City [Pilot Case Study]
Principal Investigator
Description
We will celebrate the work of J Dilla with academic talks and performances, and try to integrate the two as fully as possible. These will take place in Bristol, Manchester…Managing organisational unit
Department of MusicDates
01/02/2023 to 31/12/2023
Hip-Hop's Fifth Element: Knowledge, Pedagogy, And Artist-Scholar Collaboration
Principal Investigator
Description
https://hiphopknowledge.blogs.bristol.ac.uk/home/Managing organisational unit
Department of MusicDates
11/01/2021 to 31/07/2025
Publications
Recent publications
11/03/2024How Hip Hop Became Hit Pop. By Amy Coddington. Berkeley, CA: University of California Press, 2023. 226 pp. ISBN 978-0-520-38392-0
Popular Music
Original Pirate Material
Original Pirate Material
“This Year’s Model”: Toward a Sloanist Theory of Popular Music Production
Musical Quarterly
Polystylism and Stylistic Adaptation in 1970s Jazz-Rock
Jazz Perspectives
Brithop:
Brithop:
Teaching
I teach modules on African-American Music, Intertextuality, Hip-hop Music and Culture and have taught on performance, music theory, historical musicology, and research skills units as well.