Members of the public will have the opportunity to ‘become’ embodied energy fields within a virtual landscape as part of an interactive research residency by University of Bristol graduate student, Lisa May Thomas at the Arnolfini’s Dark Studio next week [Tuesday 10 – Friday 13 May].
The University of Bristol Theatre Collection has received £73,000 from the Heritage Lottery Fund (HLF) to catalogue, conserve and ultimately make available to the public, the personal archive of one of the last century's foremost theatrical designers, Oliver Messel (1904-1978).
Two tutors in the University’s School of Modern Languages have been recognised for their work to involve students in technology-enhanced learning.
A shipping container on Bristol’s docks will be transformed into an art gallery this November, hosting an exhibition of images of modern day China inspired by the University of Bristol’s ‘Historical Photographs of China’ project.
The University of Bristol’s quest to prove its quizzing prowess begins on Monday, when they take on St John’s College, Oxford, in the first round of University Challenge.
The problematic legacy of Edward Colston (1636-1721), one of Bristol’s most famous sons, will be the subject of a public debate tomorrow [Thursday 5 May] hosted by the University of Bristol at The Station.
Bristol University’s reputation as a centre of excellence in environmental history has been cemented with the publication of an article by history lecturer Dr Dan Haines in the latest issue of the leading journal in the sub-discipline, Environmental History.
The University of Bristol’s Theatre Collection has acquired an oil painting of the renowned actress Dame Peggy Ashcroft by the acclaimed artist Walter Sickert.
The oldest surviving pages of the 13th century’s most popular story which feature one of medieval European literature’s best-known sex scenes have been identified by an academic from the University of Bristol.
The untold story of the Cologne avant-garde after Dada and an exploration of the concept of the visual in relation to music are the focus of two books recently published by researchers in the Department of History of Art.
