A psychological study of the optimal viewing environments and methods for artwork ― focusing on lighting and special glasses

2 June 2023, 2.00 PM - 2 June 2023, 3.00 PM

Megumi Nishikawa (Graduate School of Human Science, Ritsumeikan University, Japan)

Common Room, School of Psychology, Arts Complex, Woodland Road

Megumi Nishikawa will present her research on how museum lighting and glasses that filter out specific wavelengths affect people’s experiences of paintings. Megumi works with Professor Akiyoshi Kitaoka at the Ritsumeikan University in Japan in a cross-section of experimental psychology and museum studies.

My research focuses on the psychological study of the optimal viewing environments and methods for artworks. Three studies have been conducted thus far. In Study 1, I investigated the effect of lighting on the impressions of paintings. Museum lighting is rather dark compared to everyday lighting, but the results suggested that this is not optimal for accentuating the beauty of artworks. However, it is practically difficult to increase brightness because artworks are damaged by intense light. Therefore, I proposed special glasses that attenuate light with wavelengths of approximately 585 nm as tools to appreciate the beauty of paintings, instead of changing the illumination. In Study 2, I investigated the effects of wearing special glasses (NeoContrast, Mitsui Chemicals) on the impressions of color charts under the same lighting conditions as that of museums. It was found that these glasses made a variety of chromatic colors more vivid and beautiful, whereas the vividness of colorimetric values was almost unchanged. The results suggested that these glasses are effective to appreciate paintings. In Study 3, I investigated the effect of wearing these glasses on the impressions of paintings. I conducted the experiment in a laboratory that replicated an exhibition room, and conducted preliminary research in a real museum. The results showed that, in the laboratory, there was little or no effect of wearing special glasses on the beauty of paintings, but, in a real museum, the paintings looked more beautiful. The results are still under investigation, including differences in environment and methods.

Contact information

Enquiries to jasmina.stevanov@bristol.ac.uk

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