Will Budgett, a former student at the University of Bristol, has created an immersive art show which sees scrap metal sculptures transform into ballerinas when night falls.
Inspired by watching ballet in Russia, Will has created pieces that represent the contrast between the over-the-top elegance he experienced in the theatre and the urban landscapes he encountered when the shows ended.
Will Budgett, said: “I hope it challenges people’s perspectives. During the day, people might have an aversion to what they think is modern art, but then at night, the transformation is quite elegant, and it makes people question the work.”
“The setting of Royal Fort Gardens is fantastic, it’s a beautiful stage for The Midnight Ballet to be performed on. You have all these meandering paths with little nooks and crannies for the pieces to reveal themselves as you’re walking around.”
It is the first time the University of Bristol has hosted Bristol Light Festival as a venue.
Becky Peters, Head of Engagement for Library Services, said: “We’re delighted to be taking part in this year’s Bristol Light Festival. It’s a fantastic opportunity to welcome even more people into Royal Fort Gardens and to celebrate the creativity and artistry that Bristol is known for.
“Installations like The Midnight Ballet bring a fresh sense of inspiration and energy to a space that’s already much‑loved by our community, and we’re proud to contribute to such a vibrant cultural moment for the city.”
Welcoming students, staff, and visitors alike to enjoy its beauty and tranquillity, Royal Fort Gardens is located in the heart of the University of Bristol’s main campus and was originally landscaped by the renowned 18th-century ‘English Landscape’ designer Humphrey Repton.
The installation joins several notable permanent artworks in the gardens, including Follow Me by Jeppe Hein, the immersive Hollow by Katie Paterson, and a sculpture of Henrietta Lacks by Helen Wilson-Roe. The latter is the first permanent statue of a Black woman in a UK public space.