“Blindness Gain” and the Danger of Accessible Art

This talk will use examples from 3 Parisian art galleries to argue for a new approach to the display and interpretation of art. Most large museums and galleries work hard to make a few pieces of art accessible to blind and partially blind beholders. My research shows that this kind of access can do more harm than good. Here, I will use my theory of “blindness gain” to suggest that more inclusive approaches, informed by the practice of ‘creative audio description’ are the best way to create properly inclusive gallery experiences for everyone.

Contact information

Please contact Ulrika Maude (Ulrika.Maude@bristol.ac.uk) for further information.