My research centres on the British artist Dod Procter (1890-1792). I am particularly curious about how Procter actively self-fashioned and performed multiple identities over the course of the 1920s and 1930s, through her art, dress, photography, engagement with the press and brand strategy. Relevant research interests include identity theory, performance theory, feminist and gender studies, queer identities, exhibition strategy and archival curation.