 |
 |
 |
 |
|
Select
Bibliography for Practice as Research in Performance Last updated 23 March 2005 This list of readings is frequently updated and the PARIP team welcomes your additions. Please e-mail sugestions to parip-project@bristol.ac.uk A Adams, John. 2000. Editorial: some issues in practice-based teaching and research. Journal of Media Practice 1: 2-4. Andrews, Stuart and Nelson, Robin. 2003. Regulations and protocols governing ‘Practice as Research’ (PaR) in the performing arts in the UK leading to the award of PhD Anscombe, G. E. M. 1963. Intention. Oxford: Blackwell. Auslander, Philip. 1994. Presence and Resistance: Postmodernism and Cultural Politics. Ann Arbor: University of Michigan Press.
Austin, J. L. 1979. Performative utterances. In J. O. Urmson and G. J. Warnock (eds), Philosophical Papers. Oxford: Oxford University Press, pp. 234-252. B Barba, E. 1982. Theatre Anthropology. The Drama Review 26: 5-32. Barba, Eugenio and Savarese, Nicola, translated by Richard Fowler. 1991. A Dictionary of Theatre Anthropology: the secret art of the performer. London: Centre for Performance Research. Barba, Eugenio, translated by Richard Fowler. 1994. The Paper Canoe: a guide to theatre anthropology. London and New York: Routledge. Barker, Martin. 2003. Crash, theatre audiences, and the idea of ‘liveness’. Studies in Theatre and Performance 23 (1): 21-39 Biggs, Michael. 2003. The rôle of ‘the work’ in art and design research Blau, Herbert. 1976. Seeming, seeming: the disappearing act. The Drama Review 20(4): 7-24.
Borsato, Diane. 2001. Sleeping with cake: and other affairs of the heart. The Drama Review 169: 59-67. Briginshaw, Valerie and Claid, Emilyn. 2003. Embodying ambiguities: intertextual plays between space/time philosophies and the performing body Burgess, Robert. 1997. Practice-based Doctorates in Creative and Performing Arts and Design. Coventry: UK Council for Graduate Education. C Carr, D. 1978. Practical reasoning and knowing how. Journal of Movement Studies 4 (1): 3-20.
Cassens Stoian,
Linda. 2002. Learning performance by Chanan, Michael. 2002. Uses and abuses of documentary. Journal of Media Practice 2 (2): 83-88. Clarke, Paul. 2004. An experiential approach to theory from within practice Cologni, Elena. 2003. Documenting performative practice Copeland, Roger. 1990. The presence of mediation. The Drama Review 34(4): 42. Csikszentmihalyi, Mihaly. 1990. Society, culture and person: a systems view of creativity. In Robert J. Sternberg (ed.), The Nature of Creativity: Contemporary Psychological Perspectives. Cambridge: Cambridge University Press, pp. 325-339. D Daboo, Jerri. 2003. Removing the writing from the wall, and then removing the wall: cultivating a sense of the ridiculous in practice as research. Studies in Theatre and Performance 23 (2): 125-134. Dehlholm, Kirsten. 2002. Questionnaire 3. Performance Research 7(4): 86-87. De Marinis, Marco. 1985. 'A faithful betrayal of performance': notes on the use of video in theatre. New Theatre Quarterly 1(4): 383-389. Diamond, Elin. 1996. Performance and Cultural Politics. London: Routledge. Diller, E. and R. Scofidio. 1992. Case No. 00-17163. In J. Crary and S. Kwinter (eds), Incorporations, Zone 6. New York: Urzone Inc, pp. 344-361. Dixon, Steve. 1999. Digits, discourse and documentation: performance research and hypermedia. The Drama Review 43(1). Dixon, Steve. 2003. Absent fiends : internet theatre, posthuman bodies and the interactive void. Presence. http://www.mdx.ac.uk/www/epai/presencesite/html/dixon00.html Dowmunt, Tony. 2003. A Whited Sepulchre: autobiographical film/video as practice/research. Journal of Media Practice 4 (1): 17-26. 2003. Mother pictures: an autobiographical video work in progress Dreyblatt, Arnold. 2002. Questionnaire 2. Performance Research 7(4): 48-49. Dunn, J. 1997. Back to the Rough Ground: practical judgement and the lure of technique. Notre Dame: University of Notre Dame Press. E Elliot, Nils Lindahl. 2000. Pedagogic discourse in theory-practice courses in Media Studies. Screen 41(1): 18-32. Ellis, John. 2000. What do we mean by media practice education? Journal of Media Practice 1: 5-11.
Erenstein, Robert L. 1988. Theatre and Television. Amsterdam. F Fische-Lichte, Erika. 1997. Performance art and ritual: bodies in performance. Theatre Research International 22(1): 22-37. Foreman, Richard. 2002. Questionnaire 1. Performance Research 7(4): 12-13. Francombe, Ben. 2002. Falling off a wall: degrees of change in British actor training. Studies in Theatre and Performance 21(3): 176-187 Fuchs, Elinor. 1985. Presence and the revenge of writing: rethinking theatre after Derrida. Performing Arts Journal 26(7): 163-173. Furnham, David. 2003. The Cinema of Comic Illusions G Gaber, Ivor and Angela Phillips. 2000. Practising what we preach: the role of practice in media degrees — and journalism in particular. Journal of Media Practice 1: 49-54. Garner, Stanton.1994. Bodied Spaces: phenomenology and performance in contemporary drama. Ithaca: Cornell University Press. Goulish, Matthew. 2003. Lecture in the shape of a bridge collapsing. Presence. http://www.mdx.ac.uk/www/epai/presencesite/html/goul00.html Gray, Carole and Ian Pirie. 1995. Artistic research procedure: research at the edge of chaos? Proceedings of 'Design Interfaces' conference, University of Salford, April 1995, volume 3: pp. 1-27. Grossman, Peter Z. 1979. Talking with Merce Cunningham about Video. Dance Scope 13(2–3): 57. H Harrison, A. 1978. Making and Thinking: a study of intelligent activities. Hassocks: Harvesters Press. Heathfield, Adrian. 1997. Facing the other: the performance encounter and death. In Adrian Heathfield (ed.), Shattered Anatomies: Traces of the Body in Performance. Bristol: Arnolfini Live, n.p. Heddon, Deirdre. 2002. Performing the archive: following in the footsteps. Performance Research 7(4): 64-77. Hintikka, J. 1975. Practical versus theoretical reason - an ambiguous legacy. In S. Korner (ed.). Practical Reason. Oxford: Blackwell, pp. 83-102. J Jameson, Frederic. 1987. Reading without interpretation: postmodernism and the video-text. In Nigel Fabb, et al (eds), The Linguistics of Writing: Arguments Between Language and Literature. Manchester: Manchester University Press, pp. 199-223. Jones, Simon. 2003. The Courage of Complementarity. PARIP 2003 Keynote K Kaye, Nick. 1994. Postmodernism and Performance. Basingstoke: Macmillan Press Ltd.
Kennedy, Barbara. 2002. Performative Spaces: the intersticial places of creative practice and research. Review in Journal of Media Practice 2 (2): 126-132 Kenny, A. 1966. Practical inference. Analysis 26 (3): 65-75. Kershaw, Baz. 2002. Performance, memory, heritage, history, spectacle — The Iron Ship. Studies in Theatre and Performance 21(3): 132-149 Knudsen, Erik. 2003. Creation and I, me and my work. Journal of Media Practice 3 (2): 107-114.
L Lakoff, George and Johnson, Mark. 1995. Philosophy in the Flesh: the embodied mind and its challenge to Western thought. New York: Basic Books. Loukes, Rebecca. 2003. Tracing bodies: researching psychophysical training for performance. Performance Research 8 (4): 54-60. Lovell, Robb E. 2000. Computer intelligence in theatre. New Theatre Quarterly 63: 255-262. Loveless, Richard and Goodman, Lizbeth. 1999. Live and media performances — the next frontier. Performance Research 4(2): 72-77. M McAuley, Gay. 1994. The visual documentation of theatrical performance. New Theatre Quarterly 38: 192. Macdonald, Ian. 2000. Related vocational qualifications in media practice education: an analysis of the rationale, and historical and political contexts. Journal of Media Practice 1: 12-22. McHoul, Alec and Lucy Niall. 1994. That film, this paper — its body. Southern Review 27(3): 303-322. McLaughlin, Cahal. 2003. Collaboration as research: testimonies from the apartheid era. Journal of Media Practice 3 (3): 171-177. Martin, Jacqueline and Willmar Sauter, eds. 1995. Understanding Theatre: Performance Analysis in Theory and Practice. N.p.: Almqvist and Wiksell. Mellencamp, Patricia. 1985. Seeming, seeming: the disappearing act. The Drama Review 37(3): 141-154. Melrose, Susan. 2002. Entertaining other options: Restaging 'theory' in the age of practice as research. http://www.sfmelrose.u-net.com/inaugural/
Melrose, Susan (ed.). 2003. Virtuosity and Performance Mastery Symposum. http://www.mdx.ac.uk/www/epai/virtuosity/ Melzer, Annabelle. 1995. 'Best betrayal': the documentation of performance on video and film. New Theatre Quarterly 42: 147-150.
Miller, Jonathan. 1986. Subsequent Performances. London: Faber and Faber. Mock, Roberta, ed. 2000. Performing Processes: Creating Live Performance. Bristol: Intellect. Mock, Roberta, Franc Chamberlain, Simon Ellis, Nicholas Till and John C Whelan. 2004. Reflections on practice as research following the PARIP conference, 2003. Studies in Theatre and Performance 24 (2): 129-141. Moggan, Julie. 2003. Reflections of a neophyte: a university versus a broadcast context. Journal of Media Practice 3 (2): 97-106. Morgan, Richard Huw. 2003. In strictest confidence — 21 anti-algorithmic excerpts N Novarina, Valère. 2001. The debate with space. The Drama Review 169: 118-127. P Pakes, Anna. 2001. Dance Interpretation and the Cultural Institution: exploring the condition(s) of British and French Contemporary Dance in the 1990s. Unpublished PhD thesis. London: Laban / City University.
Pavis, Patrice. 1982. Languages of the Stage: Essays in the Semiology of the Theatre. New York: PAJ Publications.
Pearson. 1997. Special worlds, secret maps: a poetics of performance. In A. M. Taylor (ed.), Staging Wales. Cardiff: University of Wales Press, pp. 85-99. Pearson, Mike and Michael Shanks. 2000. Theatre/Archaeology. New York and London: Routledge. Pearson, Mike and Julian Thomas. 1994. Theatre/Archaeology. The Drama Review 38(4): 133-161. 'Performing autobiography' issue of Women and Performance: a Journal of Feminist Theory. 1999. Phelan, Peggy. 1993. Unmarked: the Politics of Performance. London: Routledge. Piccini, Angela. 2002. Viewpoint on Mackey’s ‘Drama, Landscape and Memory: to be is to be in place’. Research in Drama Education 7 (2): 239–242.
Pitches, Jonathan. 2003. Tracing the living link: documentary complexity in the archive of biomechanics Popat, Sita. 2003. The Online Devising Process: Creating theatre through Internet collaboration, Studies in Theatre & Performance 23 (2): 87-105. R Rabey. David Ian. 2000. On being a Shakespearean dramatist: an approach to The Back of Beyond. Theatre Research International 25(3): 284-294. Rae, Paul. 2003. Re: invention — on the limits of reflective practice Reason, Matthew. 2003. Archive or memory? The detritus of live performance. New Theatre Quarterly 73: 82-89. Reinelt, J. forthcoming. The Politics of Discourse: Performativity Meets Theatricality. Unpublished manuscript. Ridout, Nicholas. 2002. Two parrots and an answering machine: some problems with knowledge and memory. Performance Research 7(4): 42-47. Rosenthal, Rachel. 2001. Zone. The Drama Review 169: 31-58. Rozik, Eli. 1999. The corporeality of the actor's body: the boundaries of theatre and the limitations of semiotic methodology. Theatre Research International 24(2): 198-211. Rye, Caroline. 2000. Living Cameras: A Study of Live Bodies and Mediatized Images in Multi-Media Performance and Installation Art Practice. Unpublished PhD. Edinburgh: Napier University.
Ryle, G. 1949. The Concept of Mind. London: Hutchinson. S Salt, Barry. 2002. Practical film theory and its application to TV series drama. Journal of Media Practice 2 (2): 98-113. Saxton, Juliana and Miller Carol (eds). 1998. Drama and Theatre in Education: the research of practice, the practice of research. London: IDEA Publications. Schieffelin, Edward. 1998. Problematizing performance. In Felicia Hughes-Freeland (ed.), Ritual, Performance, Media. London: Routledge. Schön, Donald A. 1983. The Reflective Practitioner: How Professionals Think in Action. Temple Smith. Searle, J. R. 2001. Rationality in Action. Cambridge, MA: MIT Press. Shevtsova, Maria. 1999. Bells and alarm clocks: theatre and theatre research at the millennium. Theatre Research International 24(1): 98-108.
Smart, Jackie. 2001. The disruptive dialogue of dance for the camera. Journal of Media Practice 2: 37-47. T Thomson, Peter (compiler). 2003. Practice as research. Studies in Theatre and Performance 22 (3): 159-180. Tschumi, B. 1994. The Manhattan Transcripts. London: Academy Editions. Thrift, Nigel and John-David Dewsbury. 2000. Dead geographies — and how to make them live. Environment and Planning D: Society and Space 18: 411-432. V Varney, Denise and Rachel Fensham. 1998. Documenting and disseminating performing arts research. In Alison Richards and Angela O'Brien (eds), Proceedings of the National Symposium on Research in the Performing Arts. Melbourne: School of Studies in Creative Arts.
Von Wright, G. H. 1963. Practical inference. Philosophical Review 72.
W Wagner, Anne M. 2000. Performance, video and the rhetoric of presence. October 91: 59-80. Way, Ruth. 2003. South west forum presentation Wayne, Mike. 2001. Problems and possibilities in developing critical practice. Journal of Media Practice 2: 30-36. Welton, Martin. 2003. Against inclusivity: a happy heresy about theory and practice. New Theatre Quarterly 19 (4): 347-351.
Williford, Christa. 2000. A computer reconstruction of Richelieu's Palais Cardinal Theatre, 1641. Theatre Research International 25(3): 233-247. Wilson, Michael. 2003. Revisiting Brecht: preparing Galileo for production. Studies in Theatre and Performance 22 (3): 145-157. Woods, David. 2002. The grove of academe. Total Theatre 14 (4): 16-18. Wright, Fiona. 2002. uncertain bodies: fragments. Performance Research 7 (4): 88-91.
Z Zarrilli, P. 2002. Negotiating performance epistemologies: knowledges 'about', 'in' and 'for'. Studies in Theatre and Performance 21: 31-46.
|
|
|
|