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Unit information: Opera & Politics in 2022/23

Please note: you are viewing unit and programme information for a past academic year. Please see the current academic year for up to date information.

Unit name Opera & Politics
Unit code MUSI20120
Credit points 20
Level of study I/5
Teaching block(s) Teaching Block 2 (weeks 13 - 24)
Unit director Dr. Arkle
Open unit status Not open
Units you must take before you take this one (pre-requisite units)

Technical knowledge of music (ability to read notation fluently is essential; music A level or Associated board grade 8 or equivalent may be required)

Units you must take alongside this one (co-requisite units)

None

Units you may not take alongside this one

None

School/department Department of Music
Faculty Faculty of Arts

Unit Information

Opera of the long nineteenth-century was a compelling and topical form of entertainment. This unit aims to develop a critical understanding of opera’s relation to aesthetic, social, cultural and ideological issues; to establish a familiarity with some key works of the period; and to analyse the approaches of some leading musicologists and modern opera directors. Specifically, we will consider the ambiguity and fluidity of political ‘meanings’ embedded in individual operas, and examine ways in which the Zeitgeist might be articulated through libretto, music, staging, performance and reception. The themes and case studies will be drawn from the following: Revolution (Beethoven, Fidelio; Rossini, Guillaume Tell); Gender (Bizet, Carmen; Strauss, Salome); Religion (Halévy, La Juive; Verdi, Don Carlos); Race (Verdi, Otello; Puccini, Mma Butterfly); Nationalism (Wagner, Die Meistersinger; Janacek, Jenufa). The unit will tie into repertory at WNO and/or ENO where possible, and include the opportunity to attend a rehearsal and talk to members of the creative team.

Your learning on this unit

On successful completion of this unit, students will be able to:

  1. Demonstrate a good understanding of the operas selected for the unit.
  2. Demonstrate familiarity with their socio-political contexts.
  3. Engage closely with operatic texts (libretto, music, staging) and show a sophisticated grasp of how they function
  4. Demonstrate an awareness of the fluidity and instability of opera and its 'meanings'
  5. Demonstrate familiarity with some key scholarship on nineteenth-century opera.
  6. Demonstrate familiarity with the approaches of some modern opera directors.
  7. Show original thinking and an ability to read and evaluate sources critically

How you will learn

Teaching will be delivered through a combination of synchronous and asynchronous sessions, including lectures and self-directed exercises.

How you will be assessed

  • 2,500-word essay (70%), ILO 1 - 6, 8..
  • Podcast in groups of up to 3 students (30%), 5 minutes per student, ILO 3, 4, 5, 6, 7

Resources

If this unit has a Resource List, you will normally find a link to it in the Blackboard area for the unit. Sometimes there will be a separate link for each weekly topic.

If you are unable to access a list through Blackboard, you can also find it via the Resource Lists homepage. Search for the list by the unit name or code (e.g. MUSI20120).

How much time the unit requires
Each credit equates to 10 hours of total student input. For example a 20 credit unit will take you 200 hours of study to complete. Your total learning time is made up of contact time, directed learning tasks, independent learning and assessment activity.

See the Faculty workload statement relating to this unit for more information.

Assessment
The Board of Examiners will consider all cases where students have failed or not completed the assessments required for credit. The Board considers each student's outcomes across all the units which contribute to each year's programme of study. If you have self-certificated your absence from an assessment, you will normally be required to complete it the next time it runs (this is usually in the next assessment period).
The Board of Examiners will take into account any extenuating circumstances and operates within the Regulations and Code of Practice for Taught Programmes.

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