Unit name | The Camera Eye: Inter-war Photographic Culture (Level I Lecture Response Unit) |
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Unit code | HART25000 |
Credit points | 20 |
Level of study | I/5 |
Teaching block(s) |
Teaching Block 1 (weeks 1 - 12) |
Unit director | Dr. Haran |
Open unit status | Open |
Pre-requisites |
None |
Co-requisites |
None |
School/department | Department of History of Art (Historical Studies) |
Faculty | Faculty of Arts |
The adoption of photography and film by the international avant-garde during the 1920s and 1930s was accompanied by the rhetoric of the ‘camera eye’, whereby the camera provided a new objective mode of vision that was consonant with the machine age in America, the Revolution in Russia, and the reconstruction of Europe. This course explores the myriad uses of photography and film, looking at Expressionist cinema, Dada and Soviet photomontage, experiments in medium in Dada and Surrealist photography, New Vision photography, Surrealist films, Soviet montage epics, Nazi propaganda, and documentary practices in photography and film in Britain and the United States.
Specifically, this unit aims to provide an extensive examination of this fascinating body of work; to engender an engagement with past and present photography and film discourses through close analysis of primary and secondary texts; and to introduce key terms such as avant-garde, the uncanny, montage, documentary, the archive, and propaganda.
Weekly 2-hour interactive lecture sessions Tutorial feedback on essay Access to tutorial consultation with unit tutor in consultation hours
A 3000 word essay (50%) and 2-hour unseen written examination (50%) will assess the student’s understanding of artistic developments in the field of study and of the ways in which art historians have interpreted developments in the field; test the student’s ability to think critically and develop their own views and interpretations; and test knowledge and understanding of photographic culture and the accompanying primary and secondary sources.