Skip to main content

Unit information: Screen 4: Concepts and Practices in 2014/15

Please note: you are viewing unit and programme information for a past academic year. Please see the current academic year for up to date information.

Unit name Screen 4: Concepts and Practices
Unit code DRAM31007
Credit points 30
Level of study H/6
Teaching block(s) Teaching Block 1 (weeks 1 - 12)
Unit director Dr. Misek
Open unit status Not open
Pre-requisites

DRAM21000, DRAM21001

Co-requisites

DRAM31001

School/department Department of Drama: Theatre, Film, Television
Faculty Faculty of Arts

Description including Unit Aims

This unit continues the exploration of selected concepts and practices in film and screen media. Students choose from a further range of projects that may be closely related to staff research interests. Topics and issues addressed may include: representations of gender and identity in film and television; screen adaptations of literature; new media; genre studies; screenwriting; screen performance; set design in cinema.

Aims:

1. To explore critically a range of screen practices.

2. To develop appropriate critical and theoretical approaches to the chosen practices.

3. To investigate in a chosen practical and creative manner one or more alternative languages of screen expression and (re)presentation.

4. To develop appropriate self-reflective analytical methods.

5. To develop production skills for screen practice.

6. To develop group-work project skills.

7. To be able to reflect on individual work within a collaborative production context.

Intended Learning Outcomes

1. To demonstrate sound knowledge of key secondary literature

2. To be aware of, and able to apply a range of established critical and theoretical ideas

3. To present a clear and well-structured argument, supported by relevant critical and theoretical literature

4. To present work that is consistently accurate in terms of its use of English and referencing

5. To be able to communicate verbally key ideas based on secondary reading and relevant primary texts

6. To demonstrate skills of time management

7. To plan and execute a research project

Plus as appropriate to the mode of teaching, that is, the combination of seminar and practice-based workshop and/or presentations:

8. To be able to write a reflective account of practical work

9. To be able to work constructively and creatively in a group-based workshop

10. To be able to work within the disciplines of production and project processes, working to deadlines and within production budgets

11. To work independently and reach individual/personal judgements within a collaborative context

12. To be able to reflect on individual work within a collaborative production context

Teaching Information

Seminars, workshops, screenings, as appropriate.

Assessment Information

3,000-word essay + student presentation + 1,500-word write-up, or equivalent.

OR

Essay [2,500 words] [1/3 of total unit mark] + Assessment of short practical workshops, inc. preparation & participation in class; presentation/performance; and critical analysis [1,500 words] [2/3 of total unit mark]

OR

Assessment of long practical workshops, inc. preparation & participation in class; preparation & execution of technical production role; presentation/performance; and critical analysis [2,500 words]

Reading and References

Exemplary:

  • Bruzzi, S. (2000). New Documentary: A Critical Introduction. London: Routledge.
  • Cousins, M. and Macdonald, K. (1998) Imagining Reality: The Faber Book of Documentary, London: Faber and Faber.
  • Gaines, J. M. and Renov, M. (1999) (eds) Collecting Visible Evidence, Minneapolis: University of Minnesota Press.
  • Rabiger, Michael (2004) Directing the Documentary, Amsterdam: Elsevier.
  • Renov, M. (2004) The Subject of Documentary, Minneapolis: University of Minnesota Press.
  • Sobchack, V. (ed.) (1996) The Persistence of History, New York and London: Routledge.

Feedback