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Unit information: Latin American Digital and Visual Cultures: Identity and Resistance in 2019/20

Please note: Due to alternative arrangements for teaching and assessment in place from 18 March 2020 to mitigate against the restrictions in place due to COVID-19, information shown for 2019/20 may not always be accurate.

Please note: you are viewing unit and programme information for a past academic year. Please see the current academic year for up to date information.

Unit name Latin American Digital and Visual Cultures: Identity and Resistance
Unit code HISP30092
Credit points 20
Level of study H/6
Teaching block(s) Teaching Block 2 (weeks 13 - 24)
Unit director Dr. Randall
Open unit status Not open
Pre-requisites

None

Co-requisites

None

School/department Department of Hispanic, Portuguese and Latin American Studies
Faculty Faculty of Arts

Description including Unit Aims

In response to the frequent conception of the internet as an Anglophone arena, this unit will address various contemporary digital and visual texts produced by Latin American or Latino/a artists. These are united by their explorations of the experiences of migrants, paid domestic and cleaning workers, and other individuals who live and work in precarious circumstances. Consequently, many of the texts and films studied allow us to examine notions of ‘immaterial’ or ‘invisible’ labour as a result of their use of internet-based practice and digital tropes. These tropes include the depiction of cyborgs and the digital divide, which raise questions about the ‘utopian’ potential of ‘cyberspace’.

The unit includes a focus on digital texts produced in collaboration with (or inspired by) domestic workers in Latin America. It reflects on the extent to which online documentaries, films and social media platforms provide the opportunity to voice the concerns of those who have historically been marginalised. Students will analyse the use of different types of media (intermediality) in digital culture, as well as the opportunities that the internet provides for the circulation of Latin American cultural productions that may not be otherwise accessible

Intended Learning Outcomes

By the end of this unit students will be able to:

  1. Demonstrate advanced knowledge and understanding, appropriate to Level H of Latin American digital texts that explore subaltern identities and notions of labour.
  2. Respond critically and analytically to the issues and debates raised by the texts, images, testimonies and documentaries studied.
  3. Demonstrate a firm grasp of theoretical and critical scholarship in the relevant fields of study.
  4. Formulate independent judgements and engage with ideas at a high level of complexity.
  5. Demonstrate sophisticated skills of digital analysis and an appreciation of how modern linguists can contribute to studies of digital production.
  6. Demonstrate good oral presentation skills and the ability to work together in groups.

Teaching Information

1 x 2 hour seminar per week, including plenary presentation, class discussions and small group work.

Assessment Information

1 x Group presentation (15-20 minutes depending on numbers in the group) and individual 2,000-word write up (30%: 15% group mark for presentation, 15% for individual write-up) testing ILOs 1-6;

1 x 4,000-word essay (70%) testing ILOs 1-5.

Reading and References

Digital Texts

Alex Rivera’s Cybracero Systems website (and his related film Sleep Dealer, Mexico 2008)

Critical Reading

  • Claire Taylor and Thea Pitman, Latin American Identity in Online Cultural Production (Routledge, 2013)
  • Claire Taylor and Thea Pitman, Latin American Cyberculture and Cyberliterature (Liverpool Uni Press, 2007)
  • Claire Taylor and Niamh Thornton. 2017. ‘Modern Languages and the Digital: The Shape of the Discipline’. Modern Languages Open. DOI: http://doi.org/10.3828/mlo.v0i0.156
  • Patrik Svensson and David Theo Goldberg, eds., Between Humanities and the Digital (MIT Press, 2015)
  • Sarah Pink, Digital Ethnography: Principles and Practice (Sage, 2015)

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