PARIP 2005

International Conference | 29 June - 03 July 2005

Allegue Fuschini : Ludivine | UK

UOY | YOU

entering a process

The work this paper will present is titled mise en abyme de l'oeuvre et perception esthetique.

The mise en abyme is a setting in scene of the aesthetic perception, which involves the viewer in the process of the artistic creation. Thus, a union is born between time, space, the work, the artist and the viewer, and often leads to an ambiguity as their distinction and that of realities.

This work consists of three volumes and a short film.

1   We examine initially the transgression of the framework by the painted image in Persian miniature, which has as a characteristic to put the viewer in front of the pictorial creation and what precedes it:: the white page.

This volume defines the philosophical and aesthetic issues of the mise en abyme process.

2   Then we study the improvisation in the gypsy music, since this process enables us to attend a musical composition in real time. Here we question the relationship between the space-time and art through a setting in scene of memory.

3   Finally, we enter the sculptures of Jaume Plensa and try out the perception of the work, by means of the realization of a short film: a propos de chaos-saliva. This volume is the experimental aspect of the research.

In the mise en abyme culminates an introspective movement, through a physical fact, the perception of the image or the sound.

Beyond the presentation of this work, this paper aims to enter the process of realization of one research made of four particular objects, and will examine how theory and practice, history and Art, time and space are articulated.

mise en abyme de l'oeuvre et perception esthetique was also realized in a well defined academic context. How to address a traditionnal context? What risks PaR supposes in such context? What about the dissemination issues?